New Zealand Commercial Design Trends Series NZ Commercial Design Trends Vol. 33/03C | Page 62

light to the centre of the large floor plates, as well as the Banking Chamber, had been infilled. We designed a contemporary glazed atrium with a glass floor over the reconstructed lay-light, interpreting and referencing the extensive original decorative glass elements throughout the building and transforming both the commercial floors and the former Banking Chamber.” A key part of the restoration was setting the co-ordinated services within an integrated chilled beam unit, sweeping out the clutter of concealed services hidden by false ceilings and allowing the existing heritage ceilings to be exposed. The Banking Chamber and other protected spaces have since been retrofitted for retail, with the heritage elements remaining in full prominence. Cbus Property’s and Dexus’ aspirations for the project showed their recognition that the building’s heritage values are integral with its commercial value. This was seen in the joint-developers’ willing- ness to sacrifice floor space for the re-introduction of the building atrium; their commitment to reveal- ing and repairing the 1916/33 spaces, elements and finishes and, lastly, to commit to the extreme structural complexity of the cantilevered tower so that the existin g building was not compromised. Redevelopment of the 1960s addition and the creation of the new office tower was generally the responsibility of JPW. “We reworked the 1960s element with a new facade which is consistent with and articulates the height, scale, design concept and elegant proportions of the adjoining 1916 building,” says Blome. “Its search | save | share at detailing also acknowledges the prominence of this principal façade fronting Martin Place.” The facade materials, including sandstone and reclaimed trachyte from the 1968 building, are harmonious with the original 1916 facade. However, the most dramatic part of the complex revitalising programme is the new build component with its dramatic physics-defying structure. The new tower rises twenty storeys alongside the heritage building, with the upper ten floors also cantilevering right over the historic bank building without imposing any permanent loads on the existing structure. The bottom half of the tower is in concrete while the top half has a steel structure. Aurecon was structural engineer on the project and the company’s design director Tony Lavorato says it involved a complex feat of engineering. “The solution was a cantilever structure where the overhanging structures above the existing 10th level of the heritage building are supported using hanging columns on the western facade, forming an inverted king post truss,” says Lavorato. “This delivers the load of this section of the building to the northern and southern elevations, which rely on a strut-and-tie arrangement to transfer the load from the hanging columns to the main building concrete cores and down to the foundations.” This construction method required the tempo- rary support of the building during construction of the main structure and some levels of the fit-out. This was achieved by temporarily supporting the structure on hydraulic jacks located over selected strengthened columns of the heritage building. Below:Up and over – Aurecon’s dramatic engineering for the tower is laid bare in this graphic. Facing page:The upper floors of the new tower suspended over the heritage building. The re-established atrium admits light right down from the heart of the tower cantilever and onto the reconstructed laylight ceiling of the 1916 Banking Chamber directly beneath it.