New Jersey Stage October 2014 | Page 46

Unless you’re in charge of your own career, Gilroy seems to be suggesting, you’re always going to have to prostitute yourself. As a journeyman screenwriter, I’m sure Gilroy has had to make a lot of compromises along the way before finally establishing enough clout to be awarded a stab at directing one of his own scripts. Freelancers from every trade will tell you the satisfaction of cashing a check earned for yourself rather than for an employer, and Gilroy sells the thrill of discovering you just might be able to strike out on New Jersey Stage your own, as Bloom builds up a collection of commissioned news segments, labelling the footage on his hard drive with lurid titles like ‘Horror House’. Gyllenhaal is one of America’s most under-rated performers, and has generally chosen interesting roles, without falling into the John ny Depp trap of essaying caricatures. Lou Bloom is the role of his career, and he has created a chilling portrait of a narcissist. The actor shed considerable weight for the role, and with his sunken eye-sockets and tightened October 2014 pg 46