“I think I get a thrill of reaching. The main question was how
much could we shoot in one
day. We had 31 days to shoot
and a great assistant director
(Chris Carroll) who organized
the shoots for each location. But
every day we were losing things
we really wanted to shoot that
we didn’t have time to shoot.
Then there’s the next day and
you drop a few more things and
the list of things that you want
to catch up to grows a little bit
longer each day. You just try to
make sure you get the most im-
portant stuff.
“I think for me as a director, the
challenge was to take the script
and the moments we wanted
and put them into live action,”
he continued. “Where is the
camera going to fit for that live
action and is that the best place?
You’re second guessing yourself
over and over again. Then you
watch the performances and
wonder if the film is saying what
you wanted or saying something
you’re not even aware of. What
is that look by Bruce Greenwood
saying? What is it going to say
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