New Jersey Stage Issue 68 | Page 98

Co-founding vocalist-rhythm gui- tarist Cassidy Rain stirs the sweet- ness of Edie Brickell, sass of Grace Potter and spice of Susan Tedeschi into her own soulful style. Mean- while, longtime collaborator Bryan Schroeder on lead guitar alter- nates between a bubbly Jerry Gar- cia-like sound and an aggressive, yet tasteful and seemingly effort- less blues-rock sound ala Duane Allman and Derek Trucks. Round- ing out the regular lineup are the funk-steady rhythms of drummer Samuel Goldstein and bassist Ja- son Casanovas. In addition to Tim on string and percussion, joining them on “Peace of Mind” are ex- ceptional keyboardist Joe Biglin of fellow Northwest Jersey band Doubleday and the swingin’, soul- ful horn section of trumpeter Mathew Bricker, bari saxman Aus- tin Zaletel and alto saxophonist- arranger Nathan Peoples.   Engineered by Don Sternecker at his Mix O-Lydian Studios in the NJ STAGE - ISSUE 68 Delaware Water Gap, the mighty collection kicks off with “Your Girl,” an upbeat unrequited love song slightly reminiscent rhythmi- cally of the Dead’s “He’s Gone,” but faster. It would be fun for The Outcrops to segue into the Dead classic from this tune live and even better if they went back into the song, which also sounds a bit like Van Morrison’s singer-songwriter daughter, Shana Morrison.  Joe demonstrates his piano prowess within the first 90 sec- onds of the opening track with a bouncy solo that immediately segues into organ accompani- ment of Bryan’s bubbly Jerry-like guitar solo. Both keyboard ele- ments add to the track’s blue- eyed soul. Gospel-like organ play- ing, as well as bright, swingin’ horns well arranged by Nathan, compliments the richness of Cas- sidy’s voice in a song dedicated to a man in the hopes he takes away the blues. INDEX NEXT ARTICLE 98