New Jersey Stage Issue 61 | Page 86

he’s the King - because he belongs to the most intimidating species around. When animals fight here, the realistic effects adds an ele- ment of grimness that traditional animation concealed. Prepare to witness a warthog gore a hyena with its tusks, a lion throw another lion off a cliff, and a wounded lion devoured by a pack of hyenas. Yes, more animals die in this thing than Tuesday morning while the lat- ter were knocked off at 4:30 on a Friday afternoon with one eye on the clock. Despite The Lion King’s failings, I remain an advocate of this sort of realistic animation. But Disney and others need to realize that if it looks like a lion it needs to behave like a lion. The Lion King doesn’t work chiefly because it feels like The animation is so convincing most of the time that the few moments when it’s not so polished really stand out. in Cannibal Holocaust. The lion might sleep tonight, but I’m not sure your children will. The animation is so convincing most of the time that the few mo- ments when it’s not so polished really stand out. The lions look incredible, the hyenas not so much, as though the former were animated with enthusiasm on a NJ STAGE - ISSUE 61 a human story has been shoe- horned into the kill or be killed milieu of the animal kingdom. No amount of goofy supporting characters and musical numbers can disguise the fact that free of its animated trappings, this is now a tale of the survival of the fittest. Remove the animals’ speech and ditch the songs and this could INDEX NEXT ARTICLE 86