we planned to do no more than
three takes of any setup. They
killed it (no spoilers). Keith was
also in charge of the logistics as
the producer. He had to keep
track of time, breaks, and food. It
was his job to keep us sane and
fed. He also had to act and he is
solid as ever. Any shot you don’t
see my lap, I had a little monitor
sitting there as I tried to collabo-
rate with Cory on shots. I trusted
him and since we were going to
be editing together, I felt very
comfortable predicting if we were
NJ STAGE - ISSUE 59
going to use a particular shot or
not in the finished product. And
then there’s Matt Grego. He was
responsible for sound on set
(and a million things in post-pro-
duction). We didn’t have time or
money to come back and record
actors later for ADR so we re-
ally leaned on him to tell us if the
neighbor’s dog barked on a line
or not.We kept the pressure on
each other to bring it and also off
each other to alleviate any panic
or anxiety.
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