New Jersey Stage Issue 58 | Page 23

merchandise, and ropes the dogman into various crimes. When Simone proposes breaking through the wall of Marcello’s shop to rob the pawn shop next door, Marcello finds himself at a crossroads - go along with Simone and ruin his reputation in the community or face the wrath of the thug? joy, and why would they? After all, animals were never meant to be subjected to any human notion of appearing ‘civilized’. In the movie’s biggest beast, the hulking Simone, Dogman suggests that maybe some humans aren’t equipped to live within the boundaries of civi- lization; should they then be put down like a pitbull that has tasted In the movie’s biggest beast, the hulking Simone, Dogman suggests that maybe some humans aren’t equipped to live within the boundaries of civilization; should they then be put down like a pitbull that has tasted blood? Garrone frequently pauses his film’s central narrative to observe Marcello at work, shampooing and combing a variety of pampered pooches. Some of the dogs are monsters, big and strong enough to tear him apart if they broke free from the shackles that allow Mar- cello to subject them to the indig- nity of a rinse and haircut. It’s not an experience they appear to en- NJ STAGE - ISSUE 58 blood? Marcello may be a likeable fig- ure, and the droopy-eyed Fonte plays him like a sad-eyed mon- grel, but it’s difficult to fully sym- pathize with his predicament. Simone’s coke addiction is clearly playing a major role in his socio- pathic behavior, and it appears he was introduced to the drug by Marcello. At several points, Mar- INDEX NEXT ARTICLE 23