New Consciousness Review Summer 2016 | 页面 27

FEATURE SECTION HEALTH ON AGING go forward. And I found over my years of teaching that my most poignant students were those who were newly retired and searching for the path or what to do next. Miriam Knight: Well, certainly, finding meaning in one’s life is just so challenging at any time but particularly after retirement. How did you come up with the process that you put forward in your book? Julia Cameron: Well, I’ve been teaching for 30 years, and I found myself putting forward ideas that I thought would help people. And I found that it was doing the basic Artist’s Way template that led me into steps to help people with retirement. Miriam Knight: And the basic Artist’s Way template starts with morning pages. How did you actually develop that approach? Julia Cameron: Well, morning pages came to me, I would say quite bluntly, as inspiration. I was a Hollywood screenwriter, and I had a movie for Jon Voight that--he went from calling it brilliant to suddenly I couldn’t find him on the phone. And I retired to a town called Taos, New Mexico, which is a little mountain community, and I lived in a little adobe house at the end of a dirt road. I would get up every morning and I would stare at the Taos Mountain, which is a spiritual mountain, and I would think, “What should I do next?” And I would think, “Well, I’ll just try writing a little bit.” I began writing three pages of morning writing every morning. I found when I did, that I was led into sort of new adventures and new ways of looking at things, so I thought, “There’s something to these morning pages.” And that became the beginning of my Artist’s Way teaching. Miriam Knight: Now, you say that it should be sort of stream of consciousness. Is there something that you use to pump prime this flow of words? Julia Cameron: No, actually I find that when I say to people, “I want you to write three pages of stream of consciousness,” that very often they find the first page and a half pretty easy, and then they bump into an invisible wall. So I say, “Now, keep writing.” When they keep writing they discover 27 | New Consciousness Review I’ve been teaching for 30 years, and I found myself putting forward ideas that I thought would help people. And I found that it was doing the basic Artist’s Way template that led me into steps to help people with retirement. what I call pay dirt, and they begin to sort of dig more deeply into their psyches. Miriam Knight: I’ve actually been trying this practice since I started reading this book in preparation for our interview, and I have to say I’ve found it amazing. So, you started this in your original book, The Artist’s Way. How many years ago was that? Julia Cameron: I published The Artist’s Way in 1992, and since publishing it, some 4 million people have worked with the book, so that’s quite a long time and quite a large audience of people who were willing to experiment with the tools. Miriam Knight: How does this book differ from the original Artist’s Way program? Julia Cameron: Well, when I wrote The Artist’s Way, I found myself introducing people to the concepts that I felt would be useful to them. So, we had people digging into their own consciousness. And when I wrote this book I thought, “Well, I think we should talk about some concepts that haven’t been dealt with in The Artist’s Way,” for example, giddiness. Very often when people retire they experience a sense of giddiness, and they don’t know quite where to go next. And I found that I wanted to explore a sense of “now what?” Miriam Knight: One of the next tools that you introduce in the book is called the artist’s date. I just love that. Explain that to our readers please.