Natura March - April 2012 | Page 32

Proje/Project FARKLI DİJİTAL VE GELENEKSEL TEKNİKLERLE YAPILAN İŞÇİLİK, MERMERİN DOĞASINDAN GELEN ANLATIMLA BÜTÜNLEŞİYOR TRADITIONAL AND DIGITAL TECHNIQUES OF WORKMANSHIP MINGLE WITH INHERENT MATERIAL NARRATIONS OF MARBLE. M ermer bir duvar ne kadar özgün ve etkileyici olabilir? Yunanistan’dan Point Supreme mimarlığın Atina’daki Interior Design Show 2010 için yarattığı ‘Marble Mural’ bu soruya çarpıcı bir yanıt veriyor. Point Supreme mermer için yazılan bir ilahi olarak tanımladığı ‘Marble Mural’ı her biri farklı kaynaklara, doğal tarihe, renk, doku ve görüntüye sahip yedi ayrı mermerden tasarlamış. Bu mermer parçaları farklı geleneksel ve dijital tekniklerle işlenerek, mermerin doğasından gelen hikayelerle bütünleşen bir anlatım oluşturulmuş. Delikler, bariz ve gizli kesikler, iki ve üç boyutlu rölyefler, dijital ya da elle yapılan baskılar, geçmişe ve geleceğe dair görüntüler ve ışık, mermeri alışık olduğumuz temiz ve mutlak görünümünden çok başka, hikayeler anlatan ve saklayan, resme dönüşebilen, ayakta duran ve hatta alan yaratan zengin 32 NATURA • MART-NİSAN / MARCH-APRIL 2012 P oint Supreme Architects, founded in Rotterdam in 2007 by Konstantinos Pantazis and Marianna Rentzou and joined by Beth Hughes in 2009, is now based in Athens. Their work integrates research, architecture, urbanism, landscape and graphic design. Their project Marble Mural made for the Interior Design Show 2010 in Athens, Greece, is in their words ‘a hymn to marble’. Marble Mural is a 10 x 2m wall consisting of 7 marble pieces of different origin, natural history, color, texture and image, altered via  CNC engraving, painting, digital printing, water cutting, and sculptural techniques while supported on a steel frame. Each marble slab was treated by hand as well as digitally in order to realize a more complex marble work. The marble pieces used for Marble Mural were treated with various traditional and digital techniques of workmanship that mingle with the inherent material narrations; holes, hidden or visible cuts, two or three dimensional relief, digital or handmade print, imagery from the  past and the future, light. Consequently, marble is revealed not as the clean and current matter we are accustomed to seeing it as, but rather as a rich, thick live object that hides and reveals stories,