Natura January - February 2014 | Page 30

Sanat / Art sculptures.” He adds: ‘’Much of the thinking about the works is devoted to seeing and reasoning about the airspaces generated by positioning the stone. The work is 
also a type of installation art; the artist controls the artwork’s location, shapes 
the surrounding land, creates platforms for views, and plants evergreen trees nearby to create an architectural feel.’’ In his essay from 2008, titled “Seeing Around,” he writes: “The fundamental being of sculptural form is its residence in Nature’s three-dimensional reality and the visual multiplicities that result from such residence.” ‘’HEYKEL FORMUNUN TEMEL VARLIĞI DOĞA’NIN ÜÇBOYUTLU GERÇEKLIĞINI MESKEN TUTMASI VE BU IKAMETIN SONUCUNDA OLUŞAN GÖRSEL ÇEŞITLILIKTIR.’’ E. TUFTE “THE FUNDAMENTAL BEING OF SCULPTURAL FORM IS ITS RESIDENCE IN NATURE’S THREE-DIMENSIONAL REALITY AND THE VISUAL MULTIPLICITIES THAT RESULT FROM SUCH RESIDENCE.” E. TUFTE 30 NATURA • OCAK - ŞUBAT 2014 / JANUARY - FEBRUARY 2014