Naleighna Kai's Literary Cafe Magazine Cavalcade Issue of NKLCM | Page 11

Sierra Kay din of the new blockbuster movies that studios spend millions of dollars Jedi mind-tricking us to love. However, at Black Harvest, movies can run in the thousands instead of millions. Budgets can be determined by how much was raised through crowdfunding or the limits of the writer/director’s savings account. Yet, the stories are no less rich and dynamic than those of their higher yielding counterparts. Then There Was Joe was written, directed and starred in by Justin Warren and featured actor/comedian Ray Grady in a film exposing the difficulty that can happen when navigating sibling relationships. (Preach) The premise is a straight-laced law student, struggling to study for his bar exam, is responsible for keeping his older brother out of trouble as he awaits his trial. Had Then There was Joe been rubbish, I would’ve written off the whole Black Harvest Film Fest. It would have gone into my, “That was an interesting experience” pile never to be resurrected again. But it wasn’t. I laughed. I was touched. And I could feel the audience connect with the material. And as a writer, that’s all we really want. That and a few Brinks trucks full of money backing up to the house. (Still waiting, Brinks.) At minimum, creatives want people to understand their vision and enjoy the journey. Scanning the audience’s reactions and hearing the engaging questions asked of the film’s stars after the show, meant that the creative’s goal were reached. I have sat in movie theaters watching rubbish on the screen and had been upset because I knew I wasn’t getting those hours or dollars back. Yet, I didn’t have that experience once with the movies I chose to view at Black Harvest. Hearing filmmakers speak of filming in their parent’s home or visiting car shows in neighboring cities to find vintage cars for their period films was inspiring. The determination to live as filmmakers/artists and share their stories with the world are the kind of tales that keep other artists moving forward when defeat is knocking on the door and peeping through the window. These filmmakers didn’t do it alone. Each one of them had a tribe of family members, buddies, and old bosses who had lent their time and talents to help complete each project. With Then There Was Joe, the hero of the day was James “Butch”, Justin’s father. He played the father/ judge in the movie, filmed the Q and A with Ray and Justin at Black Harvest, handed out ballots and sold videos after the movie completed. Justin Warren wrote an entertaining script that had the audience laughing at the comedy and silenced by the drama. Ray Grady as Joe, is an enormously talented comedic actor that I definitely have an eye out for the next time he passes through town whether on stage or screen. The Black Harvest Film Fest overall is an amazing experience that deserves a full run of sold-out shows. It’s not just to support independent film for the sake of supporting independent film. In an era where so much entertainment is created to speak to the lowest rung of society, it’s refreshing to watch quality storytelling. Hopefully, I’ll see you there next year. Sierra Kay has an M.A. in Writing from DePaul University, won a Nuyorican Poets Cafe Short Story Slam, participated in comedy fests as a member of the writing teams for Spankx and N20 Comedy. She also writes poetry and suspense novels. Obviously, she’ll try anything at least once. Her two novels From Behind the Curtain and In the Midst of Fire are available online. Learn more at sierrakay.com NKLC Magazine | 11