Music is the muse Issue One - The Interview edition | Page 20

Shattered – A Raoul Sinclair: Mirror Walker novel ( excerpt) Written by Melanie Quinlan Ignoring the sneer of the bloke in the mirror, I mumbled my thanks and stepped out of the dressing room into the corridor. Colourful little arrows marked the floor, indicating the position where I was to wait behind the curtain. I didn't need those markings, I would've found my way blindfolded. I always did. The stage calls out to me like a siren. As I stood there behind the curtain, I was on my own. Nobody dared to talk, to make a sound or to even stand too close. I shut my eyes and emptied my head so that all I knew were the frantic drums that made up the intro of the first number. Drums, that seemed to be born of a fever dream, heavy with the humid heat of some unexplored jungle. Drums that were beating out a relentless rhythm which got increasingly faster and promised danger and passion. My hands were trembling, they were clammy and felt like chunks of ice. My heart beat too fast, I felt the pulse in my mouth. I was scared. I wanted to run, to hide somewhere and never come out again. Glimpses of dark corridors lined with countless doors and of mazes with deep, dark shadows and unimaginable horrors lurking in their depths flashed through my mind. The smooth surface of the mirror stirred, waves rippled across it and... ...the drums reached their peak. It was time. I stepped forward, through the curtain and right into a coffin the dancers had presented to the screaming crowd, proving it was empty. Inside the wooden box I held onto a small handle over my head as the coffin was shoved around in the frantic dance that had been the trademark of every Raoul Sinclair show. The door was yanked open, greedy hands grabbed hold of the lapels of my coat and dragged me into the spotlight. I stepped onto the stage, sank to my knees, bowed my head and waited. The noise around me intensified a hundredfold. The volume of the screaming and clapping was deafening. I could no longer hear the drums, let alone my shallow breathing or irregular heartbeat. My six dancers took up formation. The three boys wore tight black leather hot-pants and shiny black frilly shirts, which were unbuttoned right down to their belly buttons. The girls were dressed in blood-red leggings, bras and blouses, which were left unbuttoned as well and had been tied around their skinny waists. They all closed in around me and pulled me to my feet. The spotlight found me. I felt its heat on the top of my head. A microphone was thrust into my hand, I lifted it to my lips and shouted: “Welcome back, mes amies. Welcome to a night of dark cabaret, sex and sin. Welcome to a night with Raoul & The Dreaded Bliss!” 19