Music & Dance Music-Dance News July-Aug '19 | Page 15
Music & Dance News
July/August 2019
Page 15
Mike Wendolek continued
After getting out from behind the drums to raise his children for 17 years, Mike was called, in 2016,
to perform with Wally Pikal in the Hutchinson Mall for KDUZ radio. Pictured are: Wally Pikal, Mike
Wendolek, Jerry Kahle, Jerome Kadlec, and Harvey Becker.
could play their style.
Joe played a modified
“Little Wally” stand up
drumming style.
Joe agreed, and I sat
in for a polka set. That
“sit in” attracted the at-
tention of two people as-
sociated with the Jolly
Brothers band at that
time, Jerry Zelazny and
Tom Mrozinski.
After that experience, I
started to get calls from
Polish polka bands in
Northeast Minneapolis.
I played with Jerry’s
brothers, Hank and Tony,
and with Dick Powell
and his brothers’ band,
along with a couple other
groups from the North-
MUSICAL VARIETY FOR THE
BUTTON BOX ACCORDION
Oldtime Music Co.
Send for free flyer
POLKAS • WALTZES
SCHOTTISCH
TWO-STEP
LATIN • SWING
• Chord stamp method: books and cassettes
• Easy to read
• For 3- and 4-row accordion
• For beginning through advanced students
Oldtime Music Company
Marge Ford, P.O. Box 92294, Anchorage, AK 99509
(907) 561-6862 • [email protected]
east Minneapolis area.
Shortly after I turned
18 years of age, and
while studying in tech-
nical college, I received
a telephone call from
Gene Thomas of the
revised Jolly Brothers
band. Some of the origi-
nal players moved on to
other groups, and he was
looking for a drummer
who could perform not
only the Polish style of
music, but modern rock
music, as well.
It was then I upgrad-
ed my trap set from the
Montgomery
Wards
catalog set to a new
maple shell Ludwig set
of Champagne Sparkle,
new Zildjian cymbals,
hardware, and hard-shell
cases to protect the drum
shells and hardware.
That Jolly Brothers
band consisted of Gene
Thomas (clarinet, saxo-
phone, vocals), Tom
Mrozinzki
(trumpet,
clarinet, saxophone, vo-
cals), Jerry Zelazny (ac-
cordion, piano, vocals),
John Keene (bass, lead
guitar, vocals), and me
(drums and vocals).
I worked with this
group for a little over a
year and a half. This was
a full-time occupation,
where we played six days
a week and sometimes
twice on Sunday.
The off-days were re-
served for rehearsal of
new music or recording.
We played all over the
Midwest, with tour dates
in New Jersey, New
Continued on page 16