Museek
31 MARCH 2016
MAG
The
style
or
way
of
playing
however
depends
on
how
the
song
sounds.
That’s
part
of
the
whole
deal.
Some-mes,
I
try
to
contribute
something
in
my
own
style
but,
when
the
music
director
is
par-cular
about
something
he
wants
in
his
songs,
then
you
have
to
play
the
way
he
wants
it.
Music
is
a
universal
Language
where
the
nota-on
and
the
music
remains
the
same.
But
for
the
South
Indian
Film
Industry,
music
is
not
like
the
American
western
pop
themed
music
rather
it
is
based
on
a
Indian
Ragas.
Therefore
some-mes,
the
director
wants
to
s-ck
to
that
kind
of
Raga
or
some-mes
he
lets
you
play
freestyle.
In
recent
days,
modern
music
directors
play
the
music
to
be
played
by
me
u-lizing
a
rhythm
machine
and
the
groove
along
with
the
sequencer.
In
the
beginning,
the
song
in
the
movie
‘Roja’,
has
a
remarkable
Baseline
which
of
course,
was
programmed
on
the
keyboard
by
Rahman,,
he
wanted
me
to
play
on
top
of
it
to
get
a
faRer
sound.
CURABITUR
LEO
JULY
2016
Keith Peters
MINUS ONE
MINUS ONE
WATCH VIDEO HERE
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