As a singer , she also worked with Mariano Mores and dancers Mayoral and Maria Elena , in the musical Buenos Aires . When Francini and Pontier reorganized their orchestra in 1973 for a special performance in Japan , she was entrusted with the responsibility of being the female vocalist . In the 1980s , the success of Argentine Tango allowed her to travel around the world and make her unforgettable performances of One and The Last Kurdish known to the world . In Buenos Aires , she would be a key figure of tango resistance nights , along with Caño ( Viejo ) Almacen .
There sound of their version of Fangal is very special , When she performs tangos such as Fangal When Tanguera premiered she was asked This is not a song for women , you ’ re a man then ?
She responded : I am always on the edge , on the edge I can spend a little energy , I can be a male , a little later , I ’ m a woman Some tangos are not only sung . They are a perspective , an overall point of vie . They must not only be sung , they must also be acted .
Fangal was both theatrical and sentimental . It was the tango . I ’ d like to say something tangos : I want what excites me If I do not get excited , I cannot give anything to the young people who have to listen to me and know about tango . Some songs and some singers of tango that are like reading the newspaper .
— Alba Solis
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