Modern Tango World N° 3 (Buenos Aires, Argentina) | Page 36

Tabaré Leyton: Charrúa Tabaré Leyton´s 15-track album Charrúa is a good blend of different music styles and atmospheres. Several songs have a nylon string guitar as the dominant instrument, others were interpreted with a classical rock ensemble. Some piano licks here and there, a violin and the bandoneon – and always the warm and characteristic voice of this outstanding singer from Montevideo, living in Paris, France. Max Masri, producer-composer of the electrotango ensemble Tanghetto noticed the singer and produced his second album, too. Max Masri´s beautiful hymn Montevideo is definitely one of my favorite tracks. Listen also to the elegant but much too short bandoneon solo, and you know what I mean. Tabaré Leyton attracts our attention also as good songwriter. Five of the songs were written by him, and one with Max Masri. Leyton´s relaxed vals Nada para ofrecer has definitely something to offer. The styles on this album range from rocking pop songs to classical folk oriented songs, and inbetween. Some are suited for the dancefloor such as No va más performed with percussionistcomposer-singer Ruben Rada and Tanghetto, and the classical tango Arrabal Amargo written by Carlos Gardel and Alfredo Le Pera. The rocking Charrúa is performed with the rock singer-guitar player Emiliano Brancciari and Tangocrisis. A further, different style of music is found in Como siempre which surprises with a great salsa feeling. I can definitely recommend this album with its versatile facets of good music. Tabaré Leyton as an outstanding and very relaxed singer, with dark sunglasses, of course. Overall Scoring (1-5 stars): **** Dancer´s pleasure < Listener´s pleasure Duration: 51 min. Artist´s website: http://www.facebook.com/TabareLeytonOficial — 36 — To Subscribe, Click here