Modern Tango World N° 3 (Buenos Aires, Argentina) | Page 15

Pablo Inza: With the internet,, even though you are MTW: After so much traveling, do you still like the fifteen thousand kilometers away, you find out what is milonga scene? happening in Buenos Aires. I do not know if this is good or bad. But now, we all learn, at the same time. Pablo Inza: Yes of course! I love it! I love to dance! Both in the milongas, and part of an exhibiMTW: You are widely recognized in your career as tion I still have many concerns abot dancing and a dancer, in many countries. What are the things that what I represent,. you are working on. And, what are your future goals as an artist? Pablo Inza: I am always questioning my dance, I am never satisfied to stay in the same place. I say this with pleasure in the sense that I can always find more. Over time you see that you can always continue to discover, it is infinite and I like it. There are times when I am more eager and other times when I am less patient. I feel closer to the milonga then perhaps closer to art performances. Lately, I have been questioning my dancing and my role in education. This is what I am most connected to, now. Pablo Inza: I have always said that the tango is a language with many possibilities. For nine years, I produced a space known as Practica X. It became a tango stronghold for young people and for the exploration of the tango, I also MTW: So, it is this artistic search. Are you aware produced a festival, trying to combine tango with of when you are successful.? other aristic languages. This is how the Cambalache Festival was born. Pablo Inza: Absolutely! My success already exists! I live dancing! I do what I like! This is something that I did for six years and that today is still goes on in Buenos Aires. It has always been interesting in developing, I think that there is much to take from show tango type performances. Shows generally have a mix of styles in the same way. There are so many things to do in tango. But, I do not want to stop dancing just for the pleasure of dancing. — 15 — To Subscribe, Click here