Modern Tango World N° 10 (Athens, Greece) | Page 32

On the other hand, as the follower, once i am secured in my axis and the third axis, I can assuming the center of the dance. i am secure in the present and not antici- pating the next move. i am ready to walk into the space created for me. I am confident enough to embellish my walk., and I can feed energy into the third axis when it is my turn to walk. The media vuelta reveals the beauty of the curves of the dance. It is indeed far more interesting to improvise in the continuous curved mode than in the flat boring straight line. By doing this, more pleasant surprises can be created, enriching the dance. The media vuelta reduces many possible steps into three fundamental positions —: forward, side, and back. That’s all! Adding the tweak of the curve of rotation, instantly in- troduces the possibilitymof creating a variety of figures. Three body positions of the partners help determine what steps are to be taken. The three body positions are: • facing squarely each other • offset, walking outside of each other • offset, on the other side of the body The skillful switching of weight, creating cross-walking or parallel walking adds to the tools available for the impro- visations. In a nutshell, the most important thing for the leader is to always know where the follower’s weight is; That is the leader must know which leg is free and can walk. I know where she is. I know which leg is free. From her perspective, where can my following- partner go with ease? There will always be at least two options. But, an expe- rienced dancer will see three options — forward, side and back. To improvise is to pick one of these options and make sure it is easily executable, with no bumping into other dancers or any other unpleasant experience for the follower. An important tool for the partners is the concept of media vuelta. This actually sets them free from memoriz- ing a bunch of steps. Understanding this concept allows the dancer to create patterns and figures at will! To improvise is to offer a possibility to the follower, mak- ing it as surprising and enjoyable, as possible. One step at a time that can be easily executed. There are no useless steps in improvisation. As the follower walks and looks el- egant, so do both partners. This is one of the most beau- tiful and inspiring experiences for the couple. There are infinite possibilities in the combinations of the three posi- tions — forward, side, and back. As the leader injects the curves, the experience gets more and more adventurous, and therefore, more sweet and pleasant! — 32 — TO SUBSCRIBE, CLICK HERE