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REFERENCES 73 All-Party Parliamentary Group on Arts, Health and Wellbeing, 2017, Creative Health: The Arts for Health and Wellbeing, http://www. artshealthandwellbeingreport.org.uk/appg/inquiry Last accessed March 16th 2020. a-n, 2011, The Big Artists’ Survey, http://www.a-n.co.uk/air/big-artists-survey-2011- the-results-1/ Last accessed March 16th 2020. Arts Council England, 2020, Let’s Create: Strategy, Arts Council England, 2020-2030. Becker, Howard S., 1982, Art Worlds, University of California Press, Berkeley. Bishop, Claire, 2012, Artificial Hells Participatory Art and the Politics of Spectatorship, Verso, New York. Coessens, Kathleen, 2011, ‘An Artistic Logic of Practice: the case of the performer’, in The International Journal of Arts in Society vol. 6, No 4. Consilium Research & Consultancy, 2012, Skillset research & gap analysis for artists working in participatory settings, phase 2 final report, http://www.creativescotland.com/__data/assets/pdf_ file/0006/26097/ArtWorks-Scotland-Skillset-Research- Report-Oct-2012.pdf Last accessed March 16th 2020. Helicon Collaborative, 2017, ‘Mapping the landscape of socially engaged art’, http://artmakingchange.org/wp-content/uploads/2017/09/ Mapping_the_Landscape_of_Socially_Engaged_Artistic_ Practice_Sept2017.pdf Last Accessed March 16th 2020. Ingold, Tim, 2010, Bringing Things to Life: Creative Entanglements in a World of Materials, ESRC National Centre for Research Methods NCRM Working Paper Series, http://eprints.ncrm.ac.uk/1306/1/0510_creative_ entanglements.pdf Last accessed March 16th 2020. Ingold, Tim, 2014, 'The creativity of undergoing', in Pragmatics & Cognition 22:1, 124–139. Jeffers, Alison and Gerri Moriarty, 2017, Culture, democracy and the right to make art, London, Bloomsbury. Jones, Susan, 2017, Artists work in 2016. http://www.a-n.co.uk/research/artists-work-2016/ Last accessed March 2020. Matarasso, François, 2019, A Restless Art: How Participation Won, and Why It Matters, London, Calouste Gulbenkian Foundation. Ravetz, Amanda and Lucy Wright, 2015, Validation beyond the gallery: how do artists working outside of the gallery system receive validation of their practice? A qualitative study, Axisweb. Socially Engaged Photography Network (SEPN). Open Eye Gallery. https://www.redeye.org.uk/news/ socially-engaged-photography-network-survey Last accessed March 2020. Sholette, Gregory, 2010, Dark Matter: art and politics in the age of enterprise culture, London, Pluto Press. participatory practices, Newcastle University, http://theses.ncl.ac.uk/jspui/handle/10443/3270 Last accessed March 2020. Stringer, Ernest, T. 2007, Action Research, (Third Edition) London, Sage Publications. Tate Art Terms www.tate.org.uk/art/art-terms/c/community-art Last accessed March 2020 Thornton, Sarah, 2008, Seven days in the art world, London, Granta Books. Thornton, Sarah, ‘How to make art history? Validation in the contemporary market’ in The Economist, https://www.economist.com/node/14941197+&cd=3&hl=en&ct=cl nk&gl=uk&client=firefox-b-ab Last accessed March 2020. Voorhoeve, Anne-Marie, 2006, Flourishing through coherence: meshworking multi-stakeholders, http://www.thehaguecenter.org/wp-content/uploads/2014/08/ THC-Meshwork-Essay-AM-Voorhoeve-2006-2012-1.pdf Last accessed March 2020. Wheatley, Margaret, and Deborah Frieze, 2006, Using emergence to take social innovations to scale http://www.margaretwheatley.com/articles/emergence.html Last accessed March 2020. LIST OF IMAGES P25 Jody Wood, Beauty in Transition, 2014. P31 Women's Art Activation System, Bureau for the Validation of Art at 'Social Works? Live', 2019. Photograph Julian Lister. P44 Women's Art Activation System, Bureau for the Validation of Art at 'Social Works? Live', 2019. Photograph Julian Lister. P46 Rosalie Schweiker, London Art Economics, commissioned by Company Drinks. P53 Launch of ‘Social Works? Open’ journal, during Social Art Network’s Social Art Summit, Sheffield, 2018. Photograph by Julian Lister. P55 Arts and Health, facilitated by Daniel Regan, London, 2018. P55 For the Labour of Love, facilitated by Priya Mistry, Nottingham, 2018. P56 Sadie Edgington, No Shortlists, facilitated by Joshua Sofaer, London, 2018. P59 Leslie Thompson, ‘Social Works? Live’, 2019. P67 Launch of ‘Social Works? Open’ during SAN’s Social Art Summit, Sheffield, 2018. Photograph by Julian Lister. Schrag, Anthony, 2016, Agonistic tendencies: the role of conflict within institutionally supported