MeshworkReport_FINAL | Page 59

THE COMMISSIONING PROGRAMME 57 ‘SOCIAL WORKS? LIVE’ In addition to the Workshops and Get Togethers, a festival of social art was held in April 2019 at Manchester School of Art. It attracted approximately 100 participants including artists, arts organisation representatives, academics and members of the public and involved 11 new commissions. Its aim was to facilitate open discussion amongst social practitioners and to share difficulties and ideas about best practice, while simultaneously showcasing some of the possibilities presented by working socially. We commissioned 11 artists to be ‘stallholders’ at the event, each showcasing ideas and practice through performances and interactive sessions. Together we explored the ways in which — by working in the open — we can share and shape new possibilities previously unseen or imagined. The artists were Eva He, gobscure, Harald Smykla, Jaron Hill, Lady Kitt & Louise Brown, Leslie Thompson, Mark Prest, Rabab Ghazoul, Rosalie Schweiker, Sharon Bennett & Sarah Dixon (The Women’s Art Activation System) and Social Art Network. Jody Wood (A Blade of Grass, U.S.) made a live contribution via the instant messaging platform, Slack. I didn’t know what to expect but I went with it and got lost in lots of interesting and varied actions and discussions. A great mix! Participant: ‘Social Works? Live’ Eva He Eva presented the receipt printer chatroom analog, ‘LOOO’ — a computer keyboard of limited word-keys connected to a thermal printer that instantly prints out user-generated messages, offering commentary on the current chaos of the socio-political climate. https://madeinartslondon.com/pages/eva-he gobscure gobscure came in the guise of Mary Wollstonecraft, the feminist, internationalist and pamphleteer who was written off 200 years ago as a hyena in petticoats for being mad, bad, rad and bi. Participants were invited to sketch a map depicting a personal journey onto Mary’s petticoat. https://www.nudgingmeteors.space Harald Smykla Harald presented the temporary bureau for C.R.E.H.A (Centre for Research into Emotional Hygiene through Art), a performative research project investigating the emotional impact of art. Participants were invited to recreate and process their memories of significant, emotionally charged art experiences in any kind in order to answer the question — can art move you? http://www.creativebd.org.uk/artistcommissions/harald-smykla/ Jaron Hill Jaron collected ideas and submissions for the second issue of HERM, the zine for a queer arts collective based between West Yorkshire and London. The aim of Jaron’s stall was to interrogate and deconstruct the notion that London represents the creative epicentre for the UK, by providing space for creative and open discussion that validates and empowers people from diverse backgrounds, including those who do not identify as artists or designers. https://www.jesson-hill.com