MeshworkReport_FINAL | Page 55

THE COMMISSIONING PROGRAMME 53 Launch of ‘Social Works? Open’, Sheffield, 2018 Members of the stakeholder group were invited to apply for these paid commissions. The group was regularly updated about the progress of the programme and were invited to send ideas and feedback, either informally via email or through a tailored online survey. Each commission included a small budget for a blog post to be written profiling the event (see quotes from some of these blog posts below). The stakeholders commissioned in earlier iterations of the programme were invited to assist with selecting later commissions, trialling and reviewing outputs for follow on actions. Here, Harvey Diamond, Lauren Velvick, Les Monaghan and Joe Cotgrave. The writing demonstrated the value of artists providing accounts of what they do and know — taking the pulse of society — in their own voices: If we are creating work with people and are putting our finger on the pulse of society, what is our blood pressure reading? How is this very act defining and redefining cultural output today? And what does this mean within the current UK context?’ R.M. Sanchéz-Camus (‘Social Works? Open’ 2018: 66) ‘SOCIAL WORKS? OPEN’ This was the first UK-based journal issue dedicated to social practice, with support from Arts Council England, Heart of Glass, Peckham Platform and Manchester School of Art. The publication included contributions from Jen Delos Reyes, Kerry Morrison, R.M. Sánchez-Camus, Claire Mead, They Are To date the publication has sold more than 350 copies, is included in all major repositories, including the British Library and Bodleian Libraries, Oxford, and the online pdf receiving 1,423 online reads so far. Cognisant of the issues around paying both artists and writers for their labour, all contributions were paid at standard professional rates.