Mega Artists Magazine Issue 5 | Page 31

The poet's voice was, indeed, always able to come out strongest when things seemed to go wrong. At this age whereby poetry in most parts of the world is under pressure of justifying its importance and relevance, in South Africa it is clear that poetry has been, and continues to be the soul of the nation. Needless to say, poetry ignorant of its reality is not only corruption of feelings, but an indecent assault of the craft itself. No matter how much duende one's poetry has, if its conviction fails to convince us that it belongs to our time even though what it tells is really old, such can be deemed a blatant waste of trees and ink. are, or should be purely perceptible forms that embody some sort of feeling. Poetry, at its best, proves that if a picture tells a million words, then a poem portrays a million pictures. A rounded poet treats words like they were melody, colour, shape and movement, which they are, if you think poetically. Poetry can be about anything and everything, including sociopolitical aspects of life. Poetry does not even have to be an intellectual pursuit, albeit it shapes intellectuality. Sometimes good poetry can be a masterpiece of nonsense, such that in its topsy-turvy world the craziest things might seem ordinary, and the most common thing might seem out of place. No theme is unpoetic. Furthermore, there are times when one cannot afford to be apolitical. In spite of the self-appointed poetry gurus' rigid and crude monolithic views, poetry remains the uncontainable, the untameable, and the ungovernable at its best. Poetry rationalises the irrational, proving that scientists and philosophers have their own limitations. And that language is technically incapable to break down abstract emotions to explain how, for instance, one joy differs from the other. Most importantly, it publicly strips rules, exposes their incapability to rule themselves. When Ezra Pound referred to poetry as “news that stays news”, he surely did not mean sheer reporting. A poet's main obligation, if I may call it, is to write. Write poetry which will, without any form of censorship or favour, look at the storm of our time straight in the eye and say: I too can, with my soulful tunes, command clouds to gather, agitate the Atlantic with wind of conviction to whirl and swirl you apart. Poetry of engagement does not have to disengage itself from artistic beauty. Judging a poem on the basis of its message or theme perfectly exposes the judge's lack of poetic backbone. Poetry is not limited to words or message. At his best the poet is a jazzman, he makes wordless sound carry and convey dense feelings no raw language could. But still, not all poems Writing poetry on socio-political issues does not necessarily suggest that one should surrender to the entanglement of the political octopus. Party politics can, and has tamed many poets with the red tape of “political correctness”. Many poets were forced by party affiliation to trade-in www.megaartists.co.za Aug-Sep 2015 Page 30