Mega Artists Magazine 1 | Page 18

MEGA BOOK REVIEW Is there anything you find particularly challenging in your writing? The fact that I write in English and I am a second language speaker of the language is a challenge to a certain extent. I indulgently insist on writing this foreign language the way I speak it and at times that does not resonate with the editors. That creates a struggle on how much of my African English should go in and how much of it should be panel beaten. Who is your favourite author and what is it that really strikes you about their work? I have many favourite authors. Maya Angelou and Chimamande Ngozi Adichie are some of the outstanding ones. That is because they always succeed in transporting the reader into the world of their narrative. When you read their text you feel like you are in fact in that world. You feel and experience what the characters go through. Do you have any advice for other writers? I would advise them to invest time and hard work into their work and also to consult with those who are more experienced. And most of all to read a lot. Do you have anything specific that you want to your readers? I would like to express my gratitude to all the humbling positive feedback I have received from most of them and also to the many who reviewed my work. Do you ever have writer’s block? No I have never experienced a writer’s block, but there were many instances where I doubted myself. You can get Love Interrupted at Exclusive Books and Bargain books. If it’s not on the shelves ask them to order it for you. You can also download it online or get the e-book version from www.kalahari.com and other sites. Issue no: 01 To establish yourself as expert in a field. In an era of increasing specialization, and a daily explosion in knowledge, experts have clout and authority. So if you want to be at the head of your field, you need that book – especially if you’re a consultant or something similar, who’s hired because of your expertise. And then you’ll probably need another book in a few years’ time. But let’s worry about the next book later. To become a professional public speaker in your field. Public speakers – the paid ones – still need a book to point to, to establish their bona fides. The only exception to this is celebrity status from something remarkable you've done. If the status is sufficiently strong, you can just have people talk to your agent when they call. But watch out – last year’s celebrity status fades quickly, and then you'll need that book. Even (former) President Clinton has had to write books to keep himself in the public eye. To satisfy your inner need to get it down o