BEYOND THE STATIC
My
AI AS PORTAL TO REANIMATED MUSEUMS
WORK WITH AI in museum storytelling is grounded in a lifelong devotion to art. As a child, I spent hours at the Art Institute of Chicago, captivated by its hushed grandeur and the quiet power of objects suspended in time. That early reverence has never faded. Today, through artificial intelligence, I explore new ways to animate those spaces— both literally and conceptually.
By Keith Lissner
provocations— conduits for curiosity. I view museums not as static repositories but as charged environments, rich with latent drama. AI gives me the means to draw out that potential with precision, play, and respect. This work is not a substitute for traditional interpretation; rather, it serves as a supplement— one that I hope will bring new, diverse audiences into more personal, imaginative relationships with art.
Using my own photography as a foundation, I construct brief, immersive narratives that reframe the museum experience. In one sequence, a gorilla runs to a painting, pulls it from the wall, and disappears through the gallery. In another, the Mona Lisa calmly takes a selfie. These moments are not designed to undermine the works but to invite a renewed engagement. They function as visual
Keith Lissner is an artist blending AI, fashion, and fine art into surreal cinematic experiences. Former Executive VP of Design at Vera Wang, his viral AI series My Day at The Met and Musée d ' Orsay have captivated millions, establishing him as a leading voice in digital storytelling. He can be reached at keithlissner @ gmail. com
MATAHEF ISSUE 01 43