Marin Arts & Culture MAC_Feb_Mar-18 | Page 15

What is your name and what do you do for a living? I’m Noah Griffin. I am a vocal artist who performs American Standards for a living specializing in Cole Porter. Tell me a little about yourself. Where are you from, where did you grow up and what was your childhood like? I was born in San Francisco. I grew up in the Richmond District, north of Golden Gate Park. I had an ideal childhood. I was born to parents who were both educators, who stressed learning and values. As both were civil rights pioneers, they infused me with a strong sense of social justice and public service. What is your fondest childhood memory? I was 7 when I auditioned for the San Francisco Boy’s Chorus. Though under the normal entry age, I was accepted. The next five years opened up a vast world of musical experiences. We performed at Disneyland, shared the stage with Nat Cole, Johnny Ray, Leontyne Price and Paul Robeson. We sang with the San Francisco Cosmopolitan Opera in Carmen, Turandot, and Tosca. I soloed in La Boheme. Pretty heady stuff for a young kid. Why did you decide to become an artist? It was either let it out of me or die. I suffered a paralyzing Noah with the San Francisco Boy’s Chorus at age 7. stroke, in part due to spending a lifetime of living with a repressed dream. Once I followed my dream, my spirit soared. I’ve never been happier or felt as fulfilled, both as an artist and as a human being. Longfellow has written: “All are architects of fate/Standing within these walls of time/Some with massive deeds and great/And some with ornaments of rhyme/Nothing useless is or low/ Each thing in its place is best/And what seems but idle show/Strengthens and supports the rest.” How are you different than you were 20 years ago? I’m living the life I originally planned. The desire to entertain is too often a dream dashed or differed. Dashed because it isn’t practical. Differed because as such, it is put off so long it submerges into a world of might-have-been. I was working in politics and government. It fed my pocketbook but not my soul. You do what you have to do to support your family. If you’re lucky, you keep the pilot light of your dreams lit. One day you take those dreams off the back burner, and they become real. Through the help and guidance of my wife Meredith, I now make a life and a living singing. I’m able to bring the music I love to generations who might not otherwise know of it. That brings me a great deal of satisfaction. What art have you worked on and what is your favorite artform and why? Vocal art. My mother called singing glorified speech. As such it is my way of communicating with the world. 15 Marin Arts & Culture