Manner Issue 12 | Page 62

CREATIVES Tori Orchard Artist & Illustrator If you’ve been reading this magazine for the last few issues, you will be familiar with Tori’s work as a fashion illustrator. Her rich paintings of designer handbags and heels, ranging from Michael Kors to Kate Spade, have acted as an attention-drawing frontispiece for Manner magazine. However, Tori isn’t just a fashion illustrator but is also making a name for herself as a versatile fine-artist. With a base at Westmount Studios, her work ranges from her bold, unusual fashion illustrations, to nature-inspired colourscapes, and raw, expressive Indian Ink sketches. “My work is really quite emotionally driven – what I create depends on my mood at the time, which is why my work varies so much. I’ve toyed with the idea of having a ‘theme’, but I just can’t do it, it feels too contrived.” Tori’s journey as an artist really started to flourish a few years back when she decided to keep a sketchbook with her at all times, sitting in coffee shops sketching people or places. Using only pen, no pencil and rubber, this formed the basis of her confidence in creating art – commit to the drawing and embrace the imperfections. Building on that, Tori has studied with the London-based ‘Addictive Sketcher’ Adebanji Alade in London on several occasions to really hone her craft. “Adebanji really inspired me when I saw a piece he did on the BBC’s The One Show, where he went out with just a pen and paper and sketched people. So, I got in touch and he’s been an amazing mentor ever since – he still is incredibly supportive of me, I’m very lucky. Sketching is still my true love and is the thing I come back to as much as possible – it’s amazing to be able to capture a moment in time, in a way that is truly unique to you.” While Tori enjoys a variety of styles, one thing that has remained constant is her looseness of line. It’s evident in her ink-sketches and minimal line drawings that her art often manifests itself in an instance of expression. “I enjoy keeping my lines loose for a number of reasons – it’s a great combat for perfectionism, which I think can totally ruin a piece of art, and it also gives the art a life of its own. I find the unexpected direction of line can really speak for itself in a way that I couldn’t possibly think up myself.” • Keep up with Tori’s work at www.toriorchard.co.uk 62