to its later Off-Broadway run. since 1948
Will Rucker highlights the unique energy surrounding the production at Dorset.“ Watching Lia, Adrienne, Tim, and Jayne bring this poignant story to life was extraordinary,” he reflects.“ The rehearsal process embodied everything Dorset stands for— genuine collaboration, emotional honesty, and artistic courage.”
Ryan Koss adds,“ When we read Still, we instantly felt that Adrienne’ s vision was perfect for Dorset. Her artistic clarity combined with Tim and Jayne’ s talent created something genuinely authentic. It was remarkable seeing how deeply this play resonated with our audience. The atmosphere at Dorset during the run of Still was electric, confirming our belief that the piece was ready to make a significant impact Off-Broadway.”
The serene Vermont setting also notably contributed to Romeo’ s creative experience. She recalls:“ It’ s so beautiful and idyllic— I could wake up, go for a hike, and come refreshed to rehearsal, something impossible in New York. Working away from daily life pressures boosted my creativity.”
Romeo’ s experience at Dorset reinforced her belief in the vital role of regional theater.“ DTF provided space for the play to breathe and grow, offering a safe yet expansive atmosphere for creative exploration. If we had premiered in New York, the play wouldn’ t have had this nurturing experience.” Reflecting deeply, Romeo concludes,“ Dorset renewed my faith in theater. It was a rare experience where every element— direction, cast, design— perfectly elevated the text. It reminded me why I create theater and reinforced that regional theater, when done right, is absolutely essential.”
Romeo particularly highlights her productive collaboration with Campbell-Holt, noting,“ Adrienne assembled an incredible team and guided every element beautifully. She’ s dramaturgically smart, collaborative, and has an all-encompassing vision.”
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