MAL 32:19 MAL32 | Page 88

Do you have a clear brief? Gain full agreement with all those involved in the decision-making process about what the requirements of the agency are. Invest time and effort in agreeing the budget and producing a written brief describing the brand or company’s current position, and where it wants to be in the context of clear marketing and business objectives. Decide whether the client is acting as the orchestrator of a series of agency relationships, needs a ‘lead’ agency, or requires a ‘one-stop-shop’. What kind of pitch will you hold? Give some thought to the type of search that will best assist you in making the appointment. The traditional pitch process is expensive for both parties, so agree fees where appropriate to offset a fair proportion of agency costs and to ensure a professional approach on both sides. Note that many successful agency appointments are based on reputation, personal chemistry, credentials and references from other clients, as opposed to pitches. Workshops and trial projects are also effective methods of choosing an agency. One all of this in place you will get into the next stage of searching and selecting an agency. Here are some guidelines. Prepare all the necessary background information Prepare an outline brief, including a clear indication of the brand or company marketing/communications budget. Consider the scope of work you will be asking the successful agency to undertake and ask the agencies to prepare some initial financial estimates accordingly, right at the outset. This avoids misunderstandings and manages expectations on both sides. If you have chosen a consultant to help manage the selection process, work with them to develop a brief on the type of agency required in terms of size relative to budget, location, and specialization, potentially conflicting business; and draw up carefully the criteria that will form your checklist against which to judge the initial agency longlist. Identify relevant existing work for other clients, within the appropriate communications discipline, which you rate highly. 86 MAL32/19 ISSUE Prepare a concise but thoroughly written brief for the competing agencies. It must be clear from the brief whether strategic pro- posals alone are required, or some creative ideas or a full creative pitch are expected. Alternatively, a workshop or trial project could be envisaged. Agencies should respect the client’s wishes in this. Be sensitive to the fact that creative pitches are an expensive and resource-draining exercise for agencies. Undertake any necessary desk/online research for additional background information about agencies that might interest you. Hold chemistry meetings and sign a confidentiality agreement Seek credentials information and case studies from, and hold initial chemistry meetings with, selected agencies that match the criteria in your outline brief. A mutual non-disclosure/confidentiality agreement ought to be signed before undertaking any meetings. You should decide whether to make a monetary contribution to the pitch. If so, this can be included in the non-disclosure agreement to form part of a wider pitch agreement. Some financial contribution shows commitment and the seriousness of your intent. Be aware of the dangers of information on your search becoming widely known. Early, uncontrolled leaks can lead to you being inundated with unsolicited approaches. Think of the response required and prepare a written brief accordingly Prepare a concise but thoroughly written brief for the competing agencies. It must be clear from the brief whether strategic proposals alone are required, or some creative ideas or a full creative pitch are expected. Alternatively, a workshop or trial project could be envisaged. Agencies should respect the client’s wishes in this. Be sensitive to the fact that creative pitches are an expensive and resource- draining exercise for agencies. Be clear about the nature of the services that you expect to use. Some or all of brand planning/strategic thinking, communications planning, creative development, media planning and buying, digital, PR and / or event. Make the budget explicit from the outset. Identify and make clear all criteria on which the agencies’ presentations will be judged. This could for example be strategic thinking, creative concepts, costing proposals. Also consider whether policies on sustainability/environmental issues will be taken into account. Invite up to three agencies to pitch (or four if incumbent included) Be disciplined on how many agencies are invited to respond to a preliminary ‘due diligence’ questionnaire or ‘Request for Information’ (RFI). Asking more than 7 agencies is usually very wasteful of both client procurement and agency resources and indicates an unclear brief. No more than five agencies should be asked to prepare extended credentials or ‘think- piece’ presentations for shortlisting. Decide on a pitch list of up to three agencies only. If the incumbent is invited, the list can go up to four agencies in total. Don’t invite the incumbent to pitch if you have no intention of re-appointing them. Make competing agencies aware of the number of agencies on the pitch list and whether the incumbent is included. The client should confirm in writing whether or not the pitch process and the names of the participants are confidential.