Luxe Beat Magazine AUGUST 2015 | Page 67

Design Luxury Designer Jonathan Rachman By Sherrie Wilkolaski J onathan Rachman is an internationally-acclaimed designer, soon to open an eponymous store of custom made goods, J. Rachman, in San Francisco, recently featured on HGTV, ELLE DECORATION and C MAGAZINE. He is about to open a store in San Francisco which will showcase many of his customdesigned goods in addition to serving as a showroom for his design business. In addition to designing, he is the editor-inchief of a little magazine called DiSini DiSana, which means “here and there” in Indonesian, he says, “my heart is here and there all the time.” In recent interview with Luxe Beat Magazine, he shared with me his thoughts on design and told me about how one chance meeting, changed his design career forever. Here is the interview: Sherrie Wilkolaski: Residential vs. hospitality. Which type of design work do you prefer? Jonathan Rachman: I truly have no preference between the two. What I do prefer is to work on a project where the client and I speak the same ‘language’ - appreciate the same style and design intent for the specific project. When this happens, so does magic! The project naturally takes on its own fabulous course, which will ultimately show in the final work. SW: How did you get into the business, particularly...working with celebrities? JR: I never intended to be an interior designer - I was once your typical corporate “soldier”. I left everything behind and opened a floral shop in a tiny neighborhood in San Francisco. Low and behold, Marc Jacobs and his creative team walked in and hired me on the spot to do their store floral arrangements, which ultimately lead to clients like Sarah Jessica Parker, Oprah and the like... later I did event designed including the 60th United Nations anniversary celebration and few other high profile events. property’s nature and location: a beach house in Bali must have a different decor from a pied-à-terre in Manhattan or from a mansion in a traditional setting. The same can be said about a hospitality work: a boutique hotel in an urban setting should read differently than a commercial business hotel. To understand your scopes and agree on them with your clients is the first rule of business. SW: When you are designing, how do you draw the line between your personal style and the taste of a client? JR: It goes back to the foundation of a solid understanding of the intention of why they are awarding me with the design work: for what type of property, the function of the property, who will be using the property and ultimately to interpret We were also the preferred purveyor for The Four Seasons Hotel. Because of all of that exposure and my storefront, clients saw my aesthetic and design style and learned what I was all about. Because I never went to a formal design school (except in fashion,) I have always designed intuitively: from the heart. I break rules and simply follow my gut instinct and taste. SW: Design is interpretive, how do you ensure a positive outcome at the completion of a project? JR: It is absolutely essential that you know your client, be it an individual, couple, family or a company, very well, in their intent of the space, home or property. To know the “why” is as important as to fully understand their style. You must also have a solid understanding of the type of 67