Luxe Beat Magazine AUGUST 2014 | Page 109

Book Excerpt States, yes, I’d opened a few cans of truffles (we didn’t even have frozen truffles back then). They were the only truffles I’d ever seen back in the early 1980s, and their quality was minimal. Nowadays, you can buy frozen truffles, and you can get fresh ones, too — they cost a fortune, of course. But that afternoon, walking into that kitchen and experiencing that aroma, I was in awe. It was a culinary first for me: to see a truffle in its raw state. I know now, of course, that using a perfect fresh truffle like that, instead of using a canned truffle, makes all the difference in the world. Superiorquality fresh ingredients inspire a chef to experiment, to reach out and create innovative new dishes. It was fantastic to work with Loiseau, who used all of the local ingredients and transformed them into his interpretation of regional Burgundy cuisine. Escargot, for example. Usually, people open a can of snails, put some garlic butter on them, stick them in the shells, and everyone goes wild. At the Hotel de la Côte d’Or, local people would bring in boxes of le petit escargot fresh, and we cooked them from the raw state. We’d open up the refrigerator and find them stuck on the inside of the door. They were crawling out and trying to get away. I think they knew what was going to happen as soon as they started smelling the thyme and bay leaves. You can’t produce quality like that when it comes from a can. kitchen had to be perfect the first time out. There was no second chance. Absorbing that sense of commitment to such a high level of quality was invaluable in my development. Later, it was one of the deciding factors in my being brought on board at the White House. That très soigné VIP experience at Loiseau’s was what I later recreated every single day at the White House, whether I was serving the President and the First Lady a casual dinner upstairs, or if the President of France was downstairs for a working lunch, or preparing a state dinner for the Prime Minister of Japan. I had been working with Chef Loiseau in Saulieu for just seven months when circumstances found me on the move again. An officer approached me as I was entering my car outside the restaurant one afternoon, and asked me in French, “What nationality are you?” He demanded my papers, looked at my passport, and saw that I had overstayed my visa, so he ordered me into his police van. We sat at a little table in the back, and he grilled me about what I was doing, why I was there, and what my plans were. Finally, the policeman wrote me up as an illegal and told me I had to report to the prefecture in Dijon the next day — some ninety kilometers away. Before making that drive, I tried to figure out what to do. I assumed I was going to have to move, but where? Then I remembered a friend, Jean-Yves Crenn, a chef from Cléder, in Brittany, near the English Channel. All in all, my progression through the restaurants, from bistro to Michelin, couldn’t have gone better if I’d planned it. From beginning to end, it was absolutely perfect. And back in the States, it turned out that the whole French experience in general, and particularly my time at Loiseau’s, was an important factor in finding work. Having VIPs come in there on a daily basis, I had to produce a first-rate product all the time. Everything that left the Before I left for Loiseau’s, he had told me, “If you ever need anything, give me a call.” So I rang him up and said, “Hey, I think I’m in trouble here,” and explained my immigration difficulties. “Look,” he responded, “my busy season is about to begin, and I could use some extra help, so just jump on a train and come up here.” I agreed to give him a call after my trip to the prefecture. The next day, I drove to Dijon and reported to the prefecture. The officer took me to an interrogation room and started grilling me all over again. He launched into a tirade — all in French — about how I had overstayed my visa and was working illegally. He went on and on, stressing how serious it all was.