Luxe Beat Magazine AUGUST 2014 | Page 106

Dining at the T his month we join Chef Moeller as he steps through the swinging door into his first job interview in a “real French kitchen.” Over the next two years he will win high accolades as he progresses from a regional bistro in Dijon, through a fine dining restaurant and on to a lauded restaurant run by Chef Bernard Loiseau, who was the Gault Millau magazine Chef of the Year, and that was striving to move from two-star Michelin to three-star. Dining at the White House—From the President’s Table to Yours Les Vendanges in Dijon (continued) At the end of September, JeanMarie helped to arrange my first job in France. One evening, while his family dined at a brand-new restaurant nearby, JeanMarie mentioned to the owner that he knew “an American guy who wants to cook.” The owner was interested enough to meet me, so I picked a night and stopped by the restaurant to meet him. He had worked in England, and his English was excellent. We got acquainted over drinks, and I learned that his restaurant had been open for a month. We talked about my background, what I wanted to do, and what I hoped to accomplish in the future. The dinner rush began to let up, and he looked around and said, “Just a minute — let me go back and talk to the chef.” He left me at the bar with my thoughts (and my single-malt Scotch) and disappeared into the kitchen. When he returned a few minutes later, he said, “All right, come on back with me. The chef wants to see your face.” I stood up to follow him, thinking, All right, John, this is what you wanted, an entrée into a “real French kitchen.” PAR T2 We stepped inside, and before the doors stopped swinging behind me, my experience told me exactly what the chef was thinking: We’ve only been open a few weeks. We’re still getting organized, and I’m buried in work. I need real help, and this guy brings me an American chef?! At the cutting board, the chef, whose name was René, noisily chopped some vegetables, and then glanced up at me, a hint of contempt in his eyes. “American, huh?” His French accent was thick. He lowered his gaze. Chop, chop, chop, chop! He looked at me again. “American, huh? Hamburger? You hamburger, huh?” Chop, chop, chop, chop! Feeling awkward, I replied, “Yeah, yeah... American hamburger... yeah, yeah.” I tried to say something to him in French, but my language skills were still a bit shaky. It felt like one of the worst interviews ever, but to my surprise, he invited me to come back on Friday night. “You’re welcome to come and help us out. I can’t pay you anything right now,” he cautioned, “but I can feed you and maybe give you a couple drinks at the end of the night.” L’Estancot Our relationship felt a little rocky at first, but we found ways to make it work. My French was rudimentary, but the chef patiently took time to help me with the language, and I continued to improve. I didn’t have a regular schedule, and I wasn’t getting paid, but as the place got busier we found a pretty good working rhythm. After a month or so, the owner approached me again. “John, the chef says he likes you, and asks if you’d like to start working regularly on Fridays and Saturdays. I can pay you a little — on the side.” L’Estancot was a typical French country bistro, tucked away in a back street behind Place SaintMichel in Dijon — not at all touristy — the type of place where the locals would go to eat. Right away, I found myself cooking things that I had not seen before. Cris de canard (a piece of duck with the leg and thigh combined; l’onglet frites (hanger steak and fries; hanger steak comes from up underneath the rib and is not commonly available in the States); Poulet de Bresse, a breed of chicken that originated in eastern France between the Rhone &