LUST/APE Magazine September/October 2013 | Page 14

Imagine John Lennon got turned into a Muppet and suddenly got dropped into Dragon Ball Z. Haruomi Hosono’s 1973 debut album, “Hosono House”, is among the most eclectic records of it’s genre (whatever that means). Don’t let the mild mannered portrait on the cover fool you. Inside this record sits an indescribable palette of color, each tune treated with it’s own sort of odd strokes. Kicking things off is Rock-A-By My Baby, a beautiful lullaby that puts Paul Simon and Paul McCartney to shame. Even though I have no idea what he’s really saying (By the way this album is in Japanese), I like to imagine he sings about me every time. Boku Wa Chotto is by far one of the greatest country rock tracks ever put to tape, must the Japanese be so good at everything? Choo-Choo Gatagoto, hums like a Wings song but rocks like a Plastic Ono Band riff. The pop-rumba feel on The Final Season, gives this albums one of its most endearing moments. When I listen to this track my mind travels to a dusky beach, what a trip! As we approach the middle point, Hosono decides to stir things up. The tracks Fuyu Goe and Party strut and jive like Dr. Teeth and The Electric Mayhem. The uncanny number of textures dressing up these tunes makes it hard to describe. Hosono’s voice is pure, original and unapologetic. Halfway through this album things begin to feel very cartoony, but the level of sophistication in the arrangement help satisfy your outer adult. The tightly knit groves in Fuku Wa Uchi, Oni Wa Soto (loved the fake start) and Jusho-Futei, Mushoku, Teishunyu blend Latin and Rock n’ Roll to perfection. Jusho-Futei, Mushoku, Teishunyu wears a super killer guitar track that sounds like mother fucking Abbey Road! Picking it up where Boku Wa Chotto left off, track nine on this LP blows you back to Countryville. Titled Koi Wa Momo-Iro, this tune is a gem for sure. Hosono seamlessly seems to have mastered every style of American music, (both south and north) but still manages to infect it with a very Japanese touch. Rose & Beast is the last full-length track on the record (The last track is a twenty one second instrumental), boy does this groove?! Psychedelic and mega funky, this album is sure to impress. Country, Funk, Jazz, Pop, Rock n Roll, its all in there. But be warned, if you’re a stickler I don’t recommend you inquire. Hosono is the Akira Toriyama of Rock n’ Roll, If you accept his humor you will discover some new places. Have yourself a ¬_ _ _ _ time, Mo’ Jones