Lucienne Lovelette TheArtMagazine Collection International 02 February 5, 2014 - ISSN 0799-3609 | Página 233

i n my work, I explore the face that lies behind the social mask. The quality of doll-playing allows me to create life scenarios to share a thought. My stylized faces have been influenced by the secrets that have been shared with me. In opposition to the serenity of Norman Rockwell’s work, I am strongly influenced by photographers that capture the naked, unguarded face. Body/Body (2013) I have made 21 personal wearable masks. A model was asked to create a line drawing she felt would match each of the masks. She was then asked to hold the drawing and wear the mask, exposing her own hands and feet while I photographed the persona created. Th