Listening to the Echoes of the South Atlantic Listening to the Echoes of the South Atlantic | Page 33
Endnotes Relevant links:
1 https://cargocollective.com/cassiobomfim
https://www.jeannetteehlers.dk
https://www.anitaekmanartist.com
https://www.satchhoyt.art
https://www.neosong.net
http://www.goodman-gallery.com/artists/william-kentridge
https://www.norment.net
http://www.dawitlpetros.com
https://www.nyugensmith.com
https://nadiahuggins.com/About
https://theglobalartproject.no
https://www.goethe.de/ins/br/en/kul/sup/ech.html
https://www.oslokunstforening.no
https://nordicblacktheatre.no
https://afrosonicmapping.com
https://www.alessandraleao.com.br
https://panafricanspacestation.org.za
https://www.hkw.de/en/index.php
Gilroy, Paul The Black Atlantic: Modernity and Double Consciousness. Verso,
London (1993) p. 14
2
Glissant, Édouard The Poetics of Relation translated by Betsy Wing. The
University of Michigan Press, Ann Arbor (1997) p. 73
3
IBID. p. 93
4
IBID. pp. 159
5
Camille Norment. Artist statement.
6
Norway was under Danish rule between 1524 – 1814 (as a dual monarcy) and
gained independence from Denmark in 1815, coinciding with Norway’s union
with Sweden
7
From Jeannete Ehlers’ and La Vaughn Belle’s website www.iamqueenmary.com
8
Jeannette Ehlers. Artist statement.
9
Moten, Fred In the Break The Aesthetics of the Black Radical Tradition.
University of Minnesota Press, Minneapolis (2003), p. 223
10
Cited from a public lecture by William Kentridge, University of Rochester
Distinguised Visitor in the Humanities, entitled “Second Hand Reading”
(initially “ Everyone Their Own Projector”). 9/19/2013
11
Artist statement from Satch Hoyt’s website www.afrosonicmapping.com
12
Moten, Fred A Symphony of Combs featured in his recently published book all
that beauty. Letter Machine Editions. Seattle, Washington (2019) pp. 35-41.
Since revised, the most recent version is cited here.
13
Hall, Stuart with Bill Schwarz, Familiar Stranger. Penguin Random House,
London (2017) p. 140
14
Dawit L. Petros. Artist statement
15
Dawit L. Petros. Artist statement