LiQUiFY Magazine August September 2015 | Page 162

That just blew me away. I’ve seen a few places at home, like the Cooly, that have a few tour posters up, signed or whatever, which is cool, but in America, man, it is just next-level. It’s tour posters signed, it’s photos from gigs past, everything. First stop in Colorado We played at a place called Trees in Dallas Texas, and you walk into the hallway and the whole hallway is just lined with Dimebag (Darrell) guitars. I made a point of walking around in Dallas, and for me, I felt the spirit of Dimebag in that town so powerfully. There were still people walking around in old beat up Pantera t-shirts, that looked like they were ready to be chucked in the bin. There were murals of Dimebag painted in various points across the city, for a metal guitarist. They embraced him like one of their own man. The venue itself, it was all hand-painted portraits of bands that had played there, signed by the artists, drumskins all signed, everyone from Static X to Lit ... to Ace Frehley you know, all kinds of bands like Sevendust and all the bands I’ve looked up to all on these walls - and I was just kicking myself thinking that I’m in the company of all these great bands. It was all great, playing at places where, you know, like Kurt Cobain smashed a guitar on a fan’s head here and ... but for me the most powerful place like that was the night we played at the Whisky A Go Go. For me I can still feel it right now, like chills down my spine. That was the place, where so much in that room had been and gone, and I don’t know if the other guys felt it , but for it me it was like ... even people as far as Charles Manson had played there, Jim Morrison, Guns N’ Roses, Metallica played early shows there - just so much history on that stage. 162 We don’t have much of that on the Gold Coast, and every time we get some history chalked up like that, some developer or councillor comes and tears it down. The Playroom held so much of our culture and