Life Begins 50+ Magazine Winter 2013 | Page 5

4-5_Autumn2013_Life Begins 19/11/2013 16:08 Page 2 showbiz T om Hanks thumps down a set of steps into the room, head thrust forward, arms swinging by his side in slapstick fashion. It’s quite an entrance and sets the tone for the interview because, despite the serious nature of his latest movie Captain Phillips, which details the true story of a container ship’s captain who was held hostage by Somali pirates, Hanks is keen to keep things light. “I was attached to this screenplay by way of the studio route,” the actor says modestly, when asked about being cast. What he actually means is that being a two-time Academy Award winner and, well, Tom Hanks, he can call the shots and dictate who the director will be - not the other way round. “They [the studio] said they were looking for a director and when they came around to Paul Greengrass, I said, ‘Well, that would just be fine and dandy!” he quips, in that comforting, familiar voice. A former documentarian, Greengrass has always been drawn to stories that dig beneath the surface of contemporary events: from Bloody Sunday, about a British Army massacre in Northern Ireland, to United 93, about the hijacked 9/11 plane that crashed near Pennsylvania after passengers thwarted the terrorists. This made him the perfect helmsman for Captain Phillips, which proves to be a nerve-jangling, pulse-pounding 134 minutes. ” Although it’s a multi-layered examination of the hijacking of the US container ship Maersk Alabama in 2009, at the film’s centre is the relationship between Captain Richard Phillips and the Somali pirate captain, Muse (Barkhad Abdi), who takes him hostage. Throughout Hanks’s 33-year career, which began with minor roles at the beginning of the Eighties before Ron Howard cast him in the 1984 mermaid romcom smash Splash, he’s excelled in diverse roles, depicting seemingly ordinary men facing extreme crises. There was the Aids-stricken lawyer in Philadelphia, the astronaut struggling to return to Earth after a moon mission goes awry in Apollo 13, the World War II captain searching for a missing soldier in Saving Private Ryan, and the FedEx executive trapped alone on a desert island in Cast Away. In Captain Phillips, which looks set to secure Hanks an Oscar nomination, he once again builds his character from the inside out, endowing Phillips with a quiet but extraordinary bravery. The performance builds to an incredibly emotional climax that’s bound to leave audiences gasping for breath. How does he do it? “Well, that’s a secret, so I’m not going to give that up,” he replies, grinning. “If you ask the people that run Coca-Cola for that secret formula, they’re not going to hand it over to you. But you know, I like to consider myself some kind of a creative artist and a professional, and my job is to be able to get there when the moment comes on the day.” As well as mastering the emotional complexities of the role, Hanks faced physical challenges, as two thirds of the movie was shot on open water. “Before we started shooting, I said, ‘Can I just get in that lifeboat to see what it’s like?’” he says. After about three minutes bobbing along, he realised it was going to be a “particularly authentic hell on earth!” You know, it’s not the most realistic of moments to walk into somebody’s house and say, ‘Hi, I’m the Forrest guy, yeah that’s me, and I will now be playing you in a film whether you like it or not’ The film is not a documentary and Hanks was keen to make that clear when he first met Phillips. “I told him, ‘Look, I’m going to say things you never said and I’m going to do things you did not do, but based on that, let’s get as close to the DNA of the authenticity as possible’.” Hanks had conversations with Phillips, and his wife Andrea, a couple of times at their home in Vermont, America. “You know, it’s not the most realistic of moments to walk into somebody’s house and say, ‘Hi, I’m the Forrest [Gump] guy, yeah that’s me, and I will now be playing you in a film whether you like it or not’,” says 57-year-old Hanks, whose rubbery features retain a sense of boyishness, though there’s now a hint of silver around his temple ̸)!