Life Begins 50+ Magazine Winter 2013 | Page 34

34-35_Life_begins_Template 19/11/2013 17:42 Page 1 entertainment Don’t cry for me Evita brings a tear to the eye By Brian Case C urrently playing to packed houses throughout the UK, Evita stopped off at The Mayflower, Southampton and continues to wow audiences. The shear brilliance of this production makes you want to see it again and again, such is the gripping effect of the musical which immediately captures your attention from the openng scene to the final curtain. This version of Evita has to be musical theatre at it’s very best. This musical really is just that, no words are spoken during the entire length of the show which comprises of 19 musical scores with iconic songs that stir the soul including: Don’t Cry for me Argentina, Another Suitcase in another hall, Rainbow high and Requiem for Evita. Telling the story of Eve Peron, the wife of the dictator Juan Peron, Evita takes you on Eve’s journey from her humble beginnings through to her iconic status. At the height of her popularity she was almost perceived as a spiritual leader by the Argentinian people. The show manages to brilliantly portray her character and impresses on one the ultimate queston: Despite having everything she wanted, was she really happy? The audience are carried through her quest for happiness which ultimately results in catastrophe. What she had hoped would be her ‘conquering’ of Europe turned out to be a humiliating retreat to her homeland, with the dictatorship of the time never-the-less attempting to put a brave face on it. This elaborate production, with great attention to detail, tells the story in a most emphatic way. The death scene is so emotionally charged you could have heard a pin drop in the packed theatre, such is the way this musical mesmerises the entire audience. The cast is outstanding with Marti Pellow playing Che and Madalena Alberto playing Eva. The costumes and sets are stunning with the dance and street scenes easily capturing the mood of post-war Argentina. The standing ovation at the end of this production was more than earned by the entire cast. The UK tour started in autumn 2013 and finishes in May 2014 in Plymouth. Local to our region, the next performances are in Oxford at the New Theatre in January and then at the Theatre Royal, Plymouth in May. If you get the chance, it is well making the effort - you’ll be unlikely to see a show of this calibre outside of London’s West End. 34 Life Begins Paul Carrack on Tour Bournemouth Pavilion To many Paul Carrack needs no introduction and judging by the packed Pavilion he recently played to in Bournemouth his fan base is still as strong as it ever was. Paul is currently enjoying a UK/Germany tour which at the time of writing (November 2013) still has a further 42 dates to play including 6 Christmas concerts in Germany which includes the easy to get to cities of Hamburg and Stuttgart. Paul Carrack does not cut his set short. In all he played for 90 minutes and apart from a few personal short stories, it was pure live music at its best with his playlist comprising of many of his original hits both by himself and with Mike and the Mechanics including “The living Years” and “Eyes of Blue” through to his recently released new album “Rain or Shine”. Carrack engages with his audience in a unique way making them feel a valued part of the gig. The support for the Bournemouth show was Robert Vincent, a Liverpool based singer-songwriter. His set was refreshingly simple and comprised of him walking on stage with a guitar, saying hello and launching straight into a medly of songs. Robert Vincent has a unique repertoire which is a blend of Folk, Rock and Country and it works. the only thing that would of improved his set would have been another twenty minutes. If you missed Paul this time it is not too late as his UK tour does not end until April 2014. Locally you will find him in Southampton at The Brook on 29 November, Plymouth on 22 January at the Plymouth Pavilions, at the Octagon Theatre, Yeovil on 24 January and at The Anvil, Basingstoke on 5 February. By Brian Case www.lifebeginsmagazine.com