“Music was
always my
first love, but
because the oils
worked for us,
I couldn’t help
but share.”
a heavy investment in the first part of
people that you can come from many
Amy says she honestly didn’t expect
this business, so I say why not utilize
walks of life and do dōTERRA. You just
her dōTERRA business to work in the
an opportunity that is going to help
have to get creative with it. You have to
beginning, but she worked at it as
you get there faster and also help you
be willing to be flexible. I spend many
though she did. “You give so much with
financially? Diamond Club does that.”
mentor sessions at the piano bench
so little return in the beginning. You
in the middle of an opera rehearsal. If
have no idea if it’s even going to pay
something is a priority, I make it work.
you anything. To be willing to throw
I don’t see doing all this as an obstacle,
myself into that and serve anyway, has
but as a challenge. I don’t waste time
really softened my heart. It’s been eye
thinking about how hard it is; I look at
opening.”
Thomas has a busy travel schedule
with his opera career, and Amy also has
many obligations with her music, so
running her dōTERRA business along
with that has been challenging. She
says, “The fun part is I’m able to show
how I can make it happen.”
Music & Essential Oils: Parallels that help grow a business
Work Ethic: “My career in music taught me the value of a good work ethic, consistency, and building
something over time. You can’t cram for an opera the night before. The same applies to a dōTERRA organization.”
Mentoring: “Every musician is unique, and the same is true for our leaders in dōTERRA. That’s what makes it
fun. You have to find everyone’s unique qualities and capitalize on that. That’s where it all starts.”
Sensitivity: “I have been trained to pick up on every technical issue a musician might have. As a mentor,
I can’t fire hose them with all of their flaws right away or it would kill their fire. I also have to be sensitive to
the blocks my dōTERRA leaders may have. I have to talk to them openly, ask the right questions, and build a
relationship of trust so we can help each other.”
No Attachments: “Opera productions cost millions of dollars to put on, but it’s not a money-making
business. We give, we invest, and at the end of the day we have no control over how it’s received. This is true in
both music and dōTERRA. We need to give without an emotional attachment to the outcome—unconditionally.”
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