LE PORTRAIT MAGAZINE MARCH-SEPTEMBER ISSUE | Page 50

Just bloody do it!” A three-month creative writing course run by Curtis Brown, the literary agency, spurred her on (she was selected on the strength of 3,000 words and a synopsis). As a Costa prize judge, she knew how flawed first novels can be. But she now concludes that writers are made as well as born: “I’m the product of everything I’ve read, every conversation, every emotion I’ve felt. Inevitably, because I’ve just turned 60, people will say, what took you so long? My novel needed to be slow-cooked… because of what I didn’t know. The craft frightened me.” Working with 14 other trainee novelists, two hours a week, she was initially unnerved by criticism. “I had thought if you altered anything, the whole edifice was so fragile it would crumble.” The class workshopped each other’s novels. She saw – still sees – fiction as visceral: “I felt a terrible mixture of vain and terrified, which is the thing that stopped me doing anything at all. This sounds really twee but it was so important, it mattered so much.” She was drawn to the 18th century because of the “look of it. I walk a lot. I love seeing the layers under London. I wanted to communicate that history is just us, not a special way of thinking.Although, as a girl in that period you were limited in your sphere of influence and your communications. I did some research, read 18th-century letters and diaries…” Her challenge was to create a 19-year-old heroine who did not sound too knowing. When you’re 13, she says, you “feel something is bursting out of you but you don’t know what it is”. The sense of sexuality is a powder keg in the book but she writes so well she’s in no danger of winning the Bad Sex award: “It’s the thing I agonised about most.” Curtis Brown doesn’t automatically represent its graduates. Yet Gordon Wise, on the strength of 3,000 words, inquired of Ellis last summer: “When could you finish this?” By November, she had delivered 85,000 words. Getting the email from Wise – “Read it. Loved it.” – was the 50 | P a g e