“Silhouettes nodded to the 1950s due to the contrast in
shapes which, back then was due to the rivalry between
Chanel’s dropped waists and Dior’s feminine curves.”
completely unpretentious
and enjoyable way down
the catwalk. Silhouettes
nodded to the 1950s due
to the contrast in shapes
which, back then, was due
to the rivalry between
Chanel’s dropped waists and
Dior’s feminine curves. Sack
dresses with a complete lack
of waist line were presented
alongside high-necked
silhouettes with nipped in
waists.
The mood before the show
was completely laidback
too, Cara Delevigne and Edie
Campbell were both pictured
with the knitting needles
that created the fabulous
knitted hats (seen on Cara on
the catwalk) and the PR team
and hair and makeup team
were completely friendly
and helpful throughout.
Perfect moment of the day?
Being face to face with Giles
Deacon himself and snapping
him then and there! †
Pictured clockwise: Model poses with
hair and make-up finished wearing
Burberry poncho straight from the
runway; Clothes racks; Cara Delev