il rooms through different places in the Mexican republic, the suppression of human drama. His gaze is not body-oriented, but enounces it, lets it be seen in objects composed with stillness and severity, objects that are the residues and tracks of the living.
The series Transito( 2012) takes place in a veiled level of auratic contact, without even alluding to specific circumstances of death; it is about silent, solitary and peaceful images; images of waiting and absorption, where it is not possible for us to know anything about the dead, even
Humberto Ríos, Tránsito