Fernando Brito, Tus pasos se perdieron con el paisaje all, this work conveys the risk of actual images being erased upon the coming ones, that disturbing photographs cease to be so and documenting the victim may take us to ignore the causes of war.
Carlos Álvarez Montero( México, 1974) is part of a group of young photographers that, from different formal origins, have gradually become close to the country’ s actual circumstances: the start of the armed conflict 10. His work is an
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