ed with the passing of centuries, even beyond the independent movements of the 19th Century, through alliances that keep certain minorities in power and confirm a relationship between race and class, which favors the whiter.
Drug trafficking thus reveals itself as the answer of a part of the population that looks to ascend socially through illegality, against the ever growing obstacles placed by the legal ways. We are talking about a revolution that does not pretend to imitate the democratic structures or take the place of those in power, but to make agreements with different levels of the establishment without questioning it, and to corrupt it to eliminate constitutional 1 restrictions.
But how to leave a mark on the collective conscience of societies that have been exceeded
It has been thought that violence is only about the immediate physical aggression. However, it is clear that its buried roots can be usually found in agreements of respected people, in easy-going signings made on legal documents, and in agreements between government officers and faction members that do not recognize the law. This silent – and seemingly harmless- violence precedes and reproduces the other type, almost always under the embrace of impunity.
III. Seeing hurts, lulls Significance of the body in art evidences the peculiarities of a society, ways of conjuring their urges, and the ways to represent them. Said soliloquies equal a particular language that allows, among other matters, to approach the complex taboo of violence.
Photojournalists( and artists too) debate the limits between insinuation or sensationalism against the factual reality that wrecked bodies, mass graves and smoked pueblos signify. There is a visceral look that leaves nothing to imagination; it is condemned with the adjective“ morbid”. There is also another, more differed look that teaches without teaching and seeks the
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