El viaje y la imposibilidad del regreso, 2011
Also, Terroso’ s work has the effect of the cinematographic format and the theatrical strategy of spatial arrangement: sequence, movement, stillness and shots of a staging, in accordance to elements and actors: staged scenes. Light obviously has an important role in photographic and audiovisual works both as a natural and physical effect, and the transmutations of the mythical-oneiric code towards the photographic become – at least in the author’ s case – staged scenes based on taking the most advantage of how clear and transparent natural light is. Not so with night scenes that, unto the theatrical sensationalism of artificial light, become violent contrasts taken from the“ tenebrism” of baroque painting, but whose intention is to give that notion of uncertain and disquieting weirdness.
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