GREEN & BLUE INFRASTRUCTURE
between the buildings; and The Bunker Hills that transform the old park’ s Cold War underground bunkers into flexible social places – from catching the evening sun in the summer to sledding and skiing in the winter.
By combining climate challenges with social and cultural opportunities, the bioswales double as‘ social swales’, providing the park with a host of playful, naturerich, and safe meeting places for community and togetherness.
A meandering and dissolving path A meandering path of gravel and yellow tile( a nod to the iconic neighbouring Grundtvig’ s Church) knits together the park’ s different areas and typologies and is designed to draw people out into the park to experience the city nature design up close.
The path’ s form also radically follows nature, weaving around the park typologies with varying widths and permeable surfaces – some places even‘ dissolving’ into pure nature with the path only visible through cut grasses and small lighting bollards.
A year-round oasis for all life Designed to be an inviting, yearround neighbourhood asset for the local residents, Grønningen- Bispeparken adds 149 trees of 23 different species and more than 4 million seeds of specially crafted seed mixtures. All new trees and plants are native species to preserve and enhance the local biodiversity.
The new planting supplements the park’ s preserved historic buckthorn trees, creating a more varied, biodiverse, and resilient planting composition.
Through a dynamic maintenance plan, the park is balanced between the‘ wild’ and the‘ orderly’ to create optimal social and biological conditions for humans, plants, and wildlife.
Playful art and citizen involvement Alongside the design of the new park, the National Arts Council of Denmark commissioned the artist Kerstin Bergendal for a four-year experimental art intervention. Her project,‘ Concerning A Meadow’, unfolded at the interstice of spatial planning, citizens’ engagement, and a new mandate for public art. As such, it offered the city’ s planners, SLA’ s internal Social Design Team, and local residents a parallel process for unplanned and informal knowledge exchange about the park.
Kerstin Bergendal also added a series of wooden art structures to the park, elaborated in collaboration with the small landscape studio Efterland. The art structures are seamlessly integrated into the park’ s natural fabric, giving children as well as adults varied opportunities for play, exercise, and socializing on the wooden art elements.
View and materiality The spectacular views towards Copenhagen’ s famous Grundtvig’ s Church – which was the defining feature in C. Th. Sørensen’ s original park – have been preserved in the new park design. The new trees and park elements are designed to frame the views of the church, allowing it to shine in new ways.
The existing asphalt paths were removed and replaced with warmer materials that correspond to the park’ s surroundings: pocket squares, furniture, and the path are made of yellow tiles, inspired by the surrounding buildings as well as Grundtvig’ s Church. Other materials have been recycled and upcycled from the City of Copenhagen’ s surplus to minimize the project’ s carbon footprint.
Rain as a resource to be celebrated The park was inaugurated on August 31, 2024. Only five days later, a major thunderstorm hit Copenhagen, flooding several major highways and infrastructure. But in Grønningen-Bispeparken, the heavy rain only made the new park more beautiful, sensuous, and lush – while the surrounding houses and infrastructure remained safe and dry.
All proving that in Grønningen- Bispeparken, rain is not seen as a threat – but as a natural resource to be celebrated.
Technical Sheet
• Name: Grønningen- Bispeparken
• Location: Copenhagen
• Area: 20,000 m2
• Client: The City of Copenhagen
• Architect: SLA
• Engineer: Niras
• Art project: Kerstin Bergendal and Efterland
• Contractor: Ebbe Dalsgaard A / S
Photo credit: SLA / Mikkel Eye www. sla. dk
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