Landscape & Urban Design Issue 22 2016 | Page 5

Office spaces text Charles Doe photo Rhiana May James Between 1963 and 1984, the construction of the metro tunnel and the Ville-Marie Expressway tunnel under Viger Square led to the square’s demolition and reconstruction. Despite the participation of three prominent artists from the Quebec and Canadian modernist movement – Charles Daudelin, Claude Théberge and Peter Gnass – the square never reclaimed a level of urban utility appropriate for this large public space located just outside Old Montreal. lively and much-loved space designed in the finest tradition of public gardens. The northward shift of elite francophone residential areas in the 1920s marked the beginning of the area’s gradual abandonment and decline, which accelerated after the crash of 1929. “The square’s previous design and development reflected the planning ideologies of the time, including highwaylike roadways surrounding the square, the separation of the blocks with concrete walls, a large number of compartmentalized spaces, a lack of openness, light and natural sightlines, and a shortage of programming and other efforts to encourage people to use the space. All of these factors inevitably contributed to the abandonment and eventual occupation of the square by a marginalized population,” said Michel Langevin, landscape architect and partner at NIPPAYSAGE. Urban and architectural context Viger Square remains a major urban feature, distinguished by the presence of civic and residential buildings, of which several are very prestigious homes designed by acclaimed architects. The north side of the square faces Landscape & Urban Design 5