Igor Notte
LandE scape
CONTEMPORARY ART REVIEW
of the viewing experience in your process?
To immerse the spectator is an crucial goal, if not essential. I think that such an event can happen in several ways. For example, the universality and the power of the message may be an element that capture at all or also the aesthetic beauty if well mixed to the meanings. Sure a key is the honesty, the sincerity of the work, without cheating the audience.
German multidisciplinary artist Thomas Demand once stated that " nowadays art can no longer rely so much on symbolic strategies and has to probe psychological, narrative elements within the medium instead ". What is your opinion about it? And in particular how do you conceive the narrative and especially the visual unity for your works?
I usually try to adapt the narration to the subject, then i give wide space to the rhythm, visual and musical. When i draw for animations i like to follow the flow of the improvisation too, the pencil sometimes draw alone, or at least it seems to do so. public sphere and the role of art in public space? In particular, how much do you consider the immersive nature
Then there are moment in which i built worlds of " chines boxes ", i open a door in order to open another and another, in that case the subject becomes the narrative flow itself.
41