LandE scape
Igor Notte
CONTEMPORARY ART REVIEW
passing of time the circles are closed, and the dialog between the media reaches an equilibrium, if everything works of course. The balance is achieved through the continuous work of adding and subtracting, as the two sculptural techniques applied simultaneously. It has been thus for NO GUESS and for all projects that i affront with this spirit.
What mostly appeals us of NO GUESS is the way your inquiry into the relationship between environment and human presence reminds of the notion of non lieu, elaborated by French anthropologist Marc Augé: the hybrid feature that marks out NO GUESS and your work in general allows you to accomplish the difficult task of balancing rhyhtm and evokative reminders: this aspect of your practice seems to reflect your fascination for continuous transformation processes and draws the readers into a multilayered experience. So we would take this occasion to ask you if in your opinion personal experience is an absolutely indispensable part of a creative process... Do you think that a creative process could be disconnected from direct experience?
The life is done of shades and through the experience we learn a way to interpret the shadings. I believe that the creative process is absolutely an unit that works better if the experiences became a fuel. Simple experiences or complex, direct or indirect, doesn ' t matter. The experience is a spark that creates a series of inner events, and they form the thought itself.
The strongest is the experience lived and direct. Then for example we can read of other ' s experiences and also this fact forms the thought, but it is a different thing because it has the power to
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