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Land scape
CONTEMPORARY ART REVIEW
Nora Maccoby
against climate disruption- and its relationship to the First Nation principles and values- has culminated now at Standing Rock in North Dakota. We will see how this develops.
It was through this work with the green hawk movement in the military that I met my husband, an active duty army nuclear counterproliferations officer who was working to get the really good advanced energy stuff out to the public. Some of the people he was working with were the same scientists who my great aunt had helped. I ended up supporting some very advanced physics projects and it was through this that my research in Time Travel began to really ramp up again and I was introduced to technologies and concepts that are actually not science fiction, but might seem that way to the uninitiated. I spent many years with people who had come out of Black projects in the military complex UFO worlds and the Disclosure movement.
So I have these deep particle and gravitational wave physicists as counsel and feedback. My husband gave me the book Thinking and Destiny by Howard Percival, and this was a real revelation of information about The Light of the Intelligence. I began to really commit to the work and started to feel that 2 dimensions- painting on canvas- WAS actually as or more powerful than film and that to move the viewer and trigger whatever it is that makes one experience a catharsis- that painting had that power again, for me. My theater professor had always said, it doesn’ t matter how big or small the audience is, if there is one person, albeit a ghost, you give it your all.
When I got pregnant I began to develop my meditation practice and attempt ownership of my mind and fate. My child is an incredible soul and artist.
Your approach is very personal and your technique condenses a variety of viewpoints, that you combine together into a coherent balance. We would suggest to our readers to visit http:// www. noramaccoby. com / in order to get a synoptic view of your work: in the meanwhile, would you like to tell to our readers something about your process and set up? In particular, would you tell our readers something about the evolution of your style? In particular, are your works produced gesturally, instinctively? Or do you methodically transpose geometric schemes?
Before I knew what I was doing, it was instinctive and I was searching for what it was and using the process to find IT, whatever IT was. I had a lot of despair about the state of the world, personal demons, fears and obsessions, and painting was a way to receive messages from the universe that- like the alchemical process- could enable me a process and use the dark matter as the clay of transmutation. to turn it around and develop myself past the obvious weaknesses. This issue of form vs abstraction is really a mind-melt for me and I go back and forth on it all the time. What is the point of the matter, literally. There’ s space-time which is a vast ocean of possibility, there are the points of defined intelligent form, like existence, and there is the expression of intelligent form which probably has many different states of expression to it and points of intersection with other intelligent forms, and so on is the wildly hyper-multi-dimensional reality matrix we are discovering ourselves within and to which the architecture of time travel inhabits.
Sometimes I will need form and do a painting that is more representational and what happens is it will start to really annoy me and irritate. I let it build and then I engage with the painting and take it to an expressionistic place, an emotional place, to find its soul, and reveal it. And this is the thing with souls and bodies. The body is the form, the soul the invisible expression- that is visible enough that it will influence the perception of the form.
Recently, I have been methodically transposing specific geometries. It is the birth and death in one frame of a moment that leads to infinity. The paintings are doorways to access new realms so far unseen. The painting is the performance of working through the concept or thought. Like doing math. The whole process and answer is on the table and maybe then there is a gnosis. This is the line that I am interested in, between figurative and abstract,