Land scape
Tsz Mei Wong
CONTEMPORARY ART REVIEW
For this special edition of LandEscape we have selected The Nonstop River going through all directions and the Deep Springs Never Exhaust , an interesting work that our readers have already started to admire in the introductory pages of this article . What has at once captured our attention of your captivating investigation about the relationship between your painting and the actual places you painted is the way you provided the visual results of your analysis with autonomous aesthetics : while walking our readers through the genesis of The Nonstop River going through all directions and the Deep Springs Never Exhaust , would you like to tell us something about your usual process and set up ? In particular , would you shed light to your main sources of inspiration ?
In China , the landscape is regarded as National Painting , which is a projection of the animated spirit consonance of a cultivated intelligentsia with nature . Efficacy or fribbling of the innovation of National painting pivot on how far the artistic endeavors orient to the sustainable development of the cogent forces of a powerful tradition .
‘ Innovation coalesced with continuing Chinese qualities ’ is my goal of creation . However , I t is not a simple task , for the assimilation of new ideas or of another kinds of cultural distinctions in works of art is not simply adding some strange visual elements on the pictorial surfaces . Whenever I paint , I am grappling with the different perceptions of different cultural values as to assimilate them to be in complete harmony . I am involved in exploring the innovative way of expression which could be compared to being engaged in a pitched battle .
The Nonstop River going through all directions and the Deep Springs Never Exhaust , is an panoramic view of landscape painting to display how magnificent the nature is ! I want to praise the vitality of the Mother Land who